{"id":15512,"date":"2022-04-28T15:15:43","date_gmt":"2022-04-28T13:15:43","guid":{"rendered":"https:\/\/www.oper-magazin.de\/?p=15512"},"modified":"2022-05-17T21:32:55","modified_gmt":"2022-05-17T19:32:55","slug":"lohengrin-oper-leipzig","status":"publish","type":"post","link":"https:\/\/www.oper-magazin.de\/kritiken\/auffuehrungen-international\/lohengrin-oper-leipzig\/","title":{"rendered":"Der Ritter, der als Letzter kam"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"

Die Oper Leipzig komplettiert mit Lohengrin<\/i> das Programm f\u00fcr \u201eWagner 22\u201c. Die Inszenierung von Patrick Bialdyga ist dabei mehr als eine Notl\u00f6sung f\u00fcr die eigentlich vorgesehene Regie von Katharina Wagner.<\/p>\n","protected":false},"author":119,"featured_media":15513,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[134,126],"tags":[2408,2407,709,600,957,242,2406,335],"acf":[],"featured_image_url":"https:\/\/www.oper-magazin.de\/wp-content\/uploads\/2022\/04\/Lohengrin_leipzig.png","categories_name":[{"name":"Auff\u00fchrungen international","id":134},{"name":"Kritiken","id":126}],"_links":{"self":[{"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/posts\/15512"}],"collection":[{"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/users\/119"}],"replies":[{"embeddable":true,"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/comments?post=15512"}],"version-history":[{"count":0,"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/posts\/15512\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/media\/15513"}],"wp:attachment":[{"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/media?parent=15512"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/categories?post=15512"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/tags?post=15512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}