{"id":40718,"date":"2024-03-06T01:17:53","date_gmt":"2024-03-06T00:17:53","guid":{"rendered":"https:\/\/www.oper-magazin.de\/?p=40718"},"modified":"2024-03-06T01:17:53","modified_gmt":"2024-03-06T00:17:53","slug":"theater-freiburg","status":"publish","type":"post","link":"https:\/\/www.oper-magazin.de\/themen\/wissen\/theater-freiburg\/","title":{"rendered":"Theater Freiburg"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p>Theater Freiburg Homepage: Theater Freiburg Allgemeines Das\u00a0Theater Freiburg\u00a0(teilweise auch\u00a0Stadttheater Freiburg, ehemals\u00a0St\u00e4dtische B\u00fchnen Freiburg) ist das \u00e4lteste und gr\u00f6\u00dfte Theater in der Stadt\u00a0Freiburg im Breisgau. Es handelt sich um ein Mehrspartenhaus mit Opern- und Schauspielensemble. Die Tanzsparte arbeitet ohne eigenes Ensemble und ist einer reiner Gastspielbetrieb. Hinzu kommen das Junge Theater, der Chor und das\u00a0Philharmonische Orchester, [&hellip;]<\/p>\n","protected":false},"author":41,"featured_media":40719,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[1262],"tags":[248],"acf":[],"featured_image_url":"https:\/\/www.oper-magazin.de\/wp-content\/uploads\/2024\/03\/Theater-Freiburg_ph-Andreas-Schwarzkopf-WikiCommons.jpg","categories_name":[{"name":"Wissen","id":1262}],"_links":{"self":[{"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/posts\/40718"}],"collection":[{"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/users\/41"}],"replies":[{"embeddable":true,"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/comments?post=40718"}],"version-history":[{"count":0,"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/posts\/40718\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/media\/40719"}],"wp:attachment":[{"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/media?parent=40718"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/categories?post=40718"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/tags?post=40718"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}