{"id":6089,"date":"2021-08-24T12:06:15","date_gmt":"2021-08-24T10:06:15","guid":{"rendered":"https:\/\/www.oper-magazin.de\/?p=6089"},"modified":"2021-08-30T23:28:16","modified_gmt":"2021-08-30T21:28:16","slug":"weder-politisch-noch-revolutionaer","status":"publish","type":"post","link":"https:\/\/www.oper-magazin.de\/kritiken\/weder-politisch-noch-revolutionaer\/","title":{"rendered":"Weder politisch noch revolution\u00e4r"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p>Das Teatro Real Madrid beendet seine erfolgreiche Saison mit <i>Tosca<\/i>. Der Star des Abends, Sondra Radvanovsky, durfte mit \u201eVissi d\u2019arte\u201c eine Zugabe geben; doch die eigentliche Glanzleistung kam aus dem Graben, wo Nicola Luisotti die Puccini-Partitur in all ihrem Reichtum und all ihrer Modernit\u00e4t aufleuchten lie\u00df.<\/p>\n","protected":false},"author":118,"featured_media":6090,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[126,134],"tags":[876,293,875,85,218],"acf":[],"featured_image_url":"https:\/\/www.oper-magazin.de\/wp-content\/uploads\/2021\/08\/ToscaReal.png","categories_name":[{"name":"Kritiken","id":126},{"name":"Auff\u00fchrungen international","id":134}],"_links":{"self":[{"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/posts\/6089"}],"collection":[{"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/users\/118"}],"replies":[{"embeddable":true,"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/comments?post=6089"}],"version-history":[{"count":0,"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/posts\/6089\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/media\/6090"}],"wp:attachment":[{"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/media?parent=6089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/categories?post=6089"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.oper-magazin.de\/wp-json\/wp\/v2\/tags?post=6089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}